On Vaughan & Staples’s ‘Saga’ and parenting metaphors.

On Vaughan & Staples’s ‘Saga’ and parenting metaphors.

I’m reasonably well-versed with small stuff.  I’ve studied quantum mechanics, spent two years researching electronic structure, that sort of thing.  I imagine that I’m about as comfortable as I’ll ever be with the incomprehensible probabilistic weirdness that underlies reality.

But although I helped teach introductory calculus-based physics, I’ve never learned about big things.  I took no geometry in college, and most big physics, I assume, is about transferring equations into spaces that aren’t flat.  The basic principle seems straightforward – you substitute variables, like if you’re trying to estimate prices in another country and keep plugging in the exchange rate – but I’ve never sat down and worked through the equations myself.

There’s only so much physics you can understand without chugging through the math.  Our numbers don’t quite describe the world – they can’t exactly express quantities like pi, or the solutions to most three-body problems – but they do a better job than our words.

gravity.pngStill, some excellent pop-science books on gravity have been published recently.  My favorite of these was On Gravity by A. Zee – it’s quite short, and has everything I assume you’d want from a book like this: bad humor, lucid prose, excellent pacing.  Zee has clearly had a lot of practice teaching this material to beginners, and his expertise shines through.

Near the end of the book, Zee introduces black holes – gravity at its weirdest.  Gravity becomes stronger as the distance between objects decreases – it follows an “inverse square law.”

If our moon was closer to Earth, the tides would be more extreme.  To give yourself a sense of the behavior of inverse square laws, you can play with some magnets.  When two magnets are far apart, it seems as though neither cares about the existence of the other, but slide them together and suddenly the force gets so strong that they’ll leap through the air to clank together.

But because each magnet takes up space, there’s a limit to how close they can get.  Once you hear them clank, the attractive magnetic force is being opposed by a repulsive electrostatic force – this same repulsion gives us the illusion that our world is composed of solid objects and keeps you from falling through your chair.

Gravity is much weaker than magnetism, though.  A bar magnet can have a strong magnetic field but will have an imperceptible amount of gravity.  It’s too small.

A big object like our sun is different.  Gravity pulls everything together toward the center.  At the same time, a constant flurry of nuclear explosions pushes everything apart.  These forces are balanced, so our sun has a constant size, pouring life-enabling radiation into the great void of space (of which our planet intercepts a teensy tiny bit).

But if a big object had much more mass than our sun, it might tug itself together so ardently that not even nuclear explosions could counterbalance its collapse.  It would become … well, nobody knows.  The ultra-dense soup of mass at the center of a black hole might be stranger than we’ve guessed.  All we know for certain is that there is a boundary line inside of which the force of gravity becomes so strong that not even light could possibly escape.

Satellites work because they fall toward Earth with the same curvature as the ground below – if they were going faster, they’d spiral outward and away, and if they were going slower, they’d spiral inward and crash.  The “event horizon” of a black hole is where gravity becomes so strong that even light will be tugged so hard that it’ll spiral inward.  So there’s almost certainly nothing there, right at the “edge” of the black hole as we perceive it.  Just the point of no return.

If your friends encounter a black hole, they’re gone.  Not even Morse-code messages could escape.

(Sure, sure, there’s “Hawking radiation,” quantum weirdness that causes a black hole to shrink, but this is caused by new blips in the fabric of reality and so can’t carry information away.)

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The plot of Saga, by Brian K. Vaughan and Fiona Staples, revolves around a Romeo & Juliet-esque romance in the middle of intergalactic war, but most of the comic is about parenting.  K read the entire series in two days, bawling several times, and then ran from the bedroom frantic to demand the next volume (unfortunately for her, Vaughan & Staples haven’t yet finished the series).

Saga is masterfully well-done, and there are many lovely metaphors for a child’s development.

For instance, the loss of a child’s beloved caretaker – babysitters, daycare workers, and teachers do great quantities of oft under-appreciated work.  In Saga, the child and her first babysitter are linked through the spirit, and when the caretaker moves on, the child feels physical pain from the separation.

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A hairless beast named “Lying Cat” can understand human language and denounces every untruth spoken in its present – allowing for a lovely corrective to a child’s perception that she is to blame for the traumas inflicted upon her.

lying cat from Saga

Perhaps my favorite metaphor in Saga depicts the risk of falling into a black hole.  Like all intergalactic travelers, they have to be careful – in Saga, a black hole is called a “timesuck” and it’s depicted as a developing baby.

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My favorite scene in the film Interstellar depicts the nightmarish weirdness of relativistic time.  A massive planet seems perfectly habitable, but its huge gravitational field meant that the years’ worth of “Everything’s okay!” signals had all been sent within minutes of a scout’s arrival.  The planet was actually so dangerous that the scout couldn’t survive a full day, but decades would have passed on Earth before anyone understood the risk.

Gravity eats time.

So do babies.  A child is born and the new parents might disappear from the world.  They used to volunteer, socialize, have interests and hobbies … then, nothing.

They fell into the timesuck.

On asymmetry and ‘The Hatred of Poetry.’

On asymmetry and ‘The Hatred of Poetry.’

hatredIn The Hatred of Poetry, Ben Lerner posits that many people dislike poems for falling short of an ideal.  We hold a vision of the glory that poetry could be: we want crackling verses that would, per Rilke, inspire us to change our lives; we want phrases that speak to all without resorting to postcard platitudes; we want poems to be universal, yet firmly rooted in a particular writer’s lived experience.

But the particular is never universal.  The catacombs of memory ensure that words convey slightly different meanings to us all; the best poems revel in this private language. And we, the readers, are stubborn, inertial creatures.  It is unlikely that any page’s worth of written words will change us, no matter how magnificent.

And so actual poems fail.  The ones we read seem little different from any other set of words.  As do those we write – if you are one of the few people who reached adulthood yet still writes poems.  All children do, just as all children draw, but the world trains us to slough off artistic expression as we age.  What’s worse, many of us are taught in elementary school that poetry – the ideal again – is the deepest possible expression of self.  Language is the medium of thought, and poetry is the art of language.  Lerner suggests that, in giving up on poems, there comes a nagging sensation that we are giving up on ourselves.

Why wouldn’t we hate an art that hurts us this way?

In Lerner’s words,

Great poets confront the limits of actual poems, tactically defeat or at least suspend that actuality, sometimes quit writing altogether, becoming celebrated for their silence; truly horrible poets unwittingly provide a glimmer of virtual possibility via the extremity of their failure; avant-garde poets hate poems for remaining poems instead of becoming bombs; and nostalgists hate poems for failing to do what they wrongly, vaguely claim poetry once did. one thing all these demands share is that they can’t ever be fulfilled with poems.  Hating on actual poems, then, is often an ironic if sometimes unwitting way of expressing the persistence of the utopian ideal of Poetry, and the jeremiads in that regard are defenses, too.

I can understand why a published poet like Lerner would put forward these arguments.  But I don’t agree, in large part because most people I’ve talked to sincerely enjoy poetry – ever since graduating from high school, that is, when poems were hated for being foisted upon us.  Among adults, I’ve found a dislike of poetry to be exceedingly rare.

Not many people gravitate specifically toward lyric poetry, though, especially not the sort that is featured alongside Lerner’s bio for the Poetry Foundation website.  But I believe the unpopularity of this type of poetry, with lines like “Emulsions with / Then circled the lake like / This is it.” (from Lerner’s “[By any measure]”) or “jumpsuits, they have changed / painting, I / behind the concertina wire / can’t look at it anymore …” (from Lerner’s “[jumpsuits]”), is not caused primarily by dissonance between actual poems and a reader’s pedestaled ideal.  I’d add an asymmetry of trust to the litany of offenses of which poetry stands accused in Lerner’s monograph.

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janaI do not mean to impugn asymmetry in general.  For instance, consider this beautiful passage from Jana Prikryl’s “Thirty Thousand Islands”:

Because the moon’s mass is a considerable fraction

of the earth’s, it exerts a gravitational force

on oceans as it orbits overhead, producing the

tides, or put another way, you can stand

on the shore twice daily and witness the very

water flinging itself upwards.

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This verse is secretly a paean to asymmetry.  Water has an electric dipole moment – it is asymmetric – with oppositely-charged ends attracting each other like so many microscopic magnets.  This allows water to move and flow cohesively, one molecule tugging the next along their shared path.  But the physicist and Nobel laureate Philip Warren Anderson, who made great advances in our understanding of asymmetry, writes that, as a graduate student, “this seemed very strange to me, because I was just being taught that nothing has an electric dipole moment.

Anderson elaborates:

The professor was really proving that no nucleus has a dipole moment, because he was teaching nuclear physics, but as his arguments were based on the symmetry of space and time they should have been correct in general.

I soon learned that, in fact, they were correct (or perhaps it would be more accurate to say not incorrect) because he had been careful to say that no stationary state of a system (that is, one which does not change in time) has an electric dipole moment. 

In quantum mechanics there is always a way, unless symmetry forbids, to get from one state to another.  Thus, if we start from any one unsymmetrical state, the system will make transitions to others, so only by adding up all the possible unsymmetrical states in a symmetrical way can we get a stationary state.

According to the laws of physics, the world should be symmetric.  And in the long run – on time scales that leave us dead and the Earth barren and the sun cold, impossibly far from any other source of light – the world is.  At any moment, however, objects may exhibit a temporary asymmetry (with this temporary state sustained perhaps for billions of years).  This asymmetry gives us our world.  Water that flows.  Water capable of “flinging itself upward” with the tides.

The very stars in the sky depend upon asymmetry.  According to the laws of physics, the Big Bang should’ve birthed equal amounts matter and antimatter, rapidly coalescing into nothing.  And yet, in our universe, matter predominates.  We live.

orlando-sentinelBut asymmetry in human relations can be harder to bear than the (world-enabling) asymmetries of nature.  At first blush, we thought the internet would be a great equalizer, giving a voice to all.  Instead, the increasing quantity of stuff out there has served to concentrate attention further on a dwindling number of foci.  So many in the modern world flail, shouting into the void, aspiring to fame.  The Orlando shooter checked Facebook during his crime, verifying that his humanity (at its worst) had finally been recognized.  For a moment – gun in his hand, eyes on his phone – he was as important as Beyonce.

This asymmetry is stark in poetry.  The greatest poets use language in idiosyncratic ways: they bend the rules of grammar, they use words as though their definitions were somewhat skew to those organized dissections found in dictionaries.  And readers of these poems work to understand why.  Readers at times treat great poems as puzzles: told that this combination of words is beautiful, a reader might dust and scrape with the care of an archaeologist, searching for the wellspring of that beauty.

Consider the lines I quoted from Lerner’s own work above, with constructions like “emulsions with then circled the lake” and “they have changed painting, I behind the concertina wire can’t look at it anymore.”  This is not the grammar of high school English teachers.

gilbertLerner, of course, has reasons for employing these constructions.  Just as Jack Gilbert had reasons for his choice of the adverb “commonly” in the line, “commonly I prepare for death” (from “In Between Poems”).  Just as William Shakespeare had reasons for inventing language when no existing words fit his needs.

But if average people – the uncredentialed readers of poetry – were to use words in these ways, their choices would be considered mistakes.  They are taught to trust established poets, to presume positive intent and tease out why a published poem sounds the way it does, but their own idiosyncrasies would not receive the same presumption.

This seems especially true for the people with whom I read poems most often.  Twice a week, some dozen inmates at the county jail join a co-teacher and me for poetry class.  Not every poem we bring has immediate, intuitive appeal.  But even when discussing difficult material, the men work to understand why a piece might have been written the way it was.  Then, when given paper and pencils, these men pour themselves into their own writing, for reasons Lerner well understands:

I also received multiple letters from prisoners who felt poetry publication was their best available method for asserting they were human beings, not merely criminals.  I’m not mocking these poets; I’m offering them as examples of the strength of the implicit connection between poetry and the social recognition of the poet’s humanity.  It’s an association so strong that the writers in question observe no contradiction in the fact that they are attempting to secure and preserve their personhood in a magazine that no one they know will see.

Incarcerated writers do dream that their words could allow someone to see them as human.  During one of our recent classes, TC told me that he’d seen a commercial on the jail television showing caged dogs in the pound with a voiceover saying “No animal deserves to be treated this way.”  He looked left, looked right, and started wondering: where is our commercial?

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And I’m by no means arguing that the poems written by men in jail are all great, or even good.  Drug addiction in southern Indiana has swept up all sorts, but people with money can bond out, lawyer up, and fight their cases from the outside.  They tend to win, landing treatment instead of time.  Our pay-to-play criminal justice system reserves jail for the poor.  Given the paucity of services our nation offers to impoverished children, and the underfunded state of our public schools, shunting un-aided kids straight from uncomfortable desk to uncomfortable cell, jails are full of luckless individuals who never had much scholastic success.

When inmates write, many of their poems are utter clunkmonsters, vague and sloppy and misspelled.  The men force rhymes, having conflated the concepts “poem” and “children’s book.”  Sometimes they’ll pour out saccharine repentance as though my co-teacher and I were allied with the state, rather than volunteering our time simply because this country inflicts mass incarceration on our behalf and has made us feel ashamed.  And it can be a battle convincing dudes who’ve been told over and over again “You’re bad!” that when we suggest they revise a poem, it means we liked it.

But sometimes their work is lovely.

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On a Friday afternoon last August, the men were in a particularly rotten mood.  Technological doodads break in the jail just like anywhere else, and a security camera on the fritz meant they’d been on lockdown all week.  Usually they have access to a common area and can play cards or pace back and forth, but “lockdown” means being confined to those little cells twenty-four hours a day.

Tensions were high.  And when we decided to take a few minutes for a writing prompt, they snapped.

“Nobody’s gonna read anything I write!  This won’t change shit!”

Grim.  And arguably untrue.  But…

“They’re not gonna do anything till we pull some ISIS shit, start taking off people’s heads!”

At which point my co-teacher flipped: “Fuck you, man, no.  You say shit like that, they’re gonna cancel this class.  And it’s not even fucking true.  I mean, look at this… we’re here, right?  And Frank and I are here because of shit we read.  You write it well, people will read, it will change things.”

I was nodding, although I have to admit: there’s a lot out there to read.  It’s hard for any writer to be noticed, let alone somebody pegged as an uneducated fuck-up – a criminal from southern Indiana – right off the bat.  The battle for attention can be nightmarish, giving rise to phenomena like that Orlando shooting… or the election of Donald Trump.

I have to admit: even if people do read the poems written by incarcerated men from our classes, nobody will work to understand.  These men are forced to write with one hand behind their backs, so to say.  Linguistic flourishes that would seem striking from another would be considered mistakes.

A reader must extend trust to be willing to work.  But if we trusted these men, they wouldn’t live like they do: mired in cages not fit for dogs.  Then booted out broke, job-less, home-less, med-less, into a probationary existence with far more rules than other citizens must abide by.

And yet these men dig poems.

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Lerner is correct: they’re not always keen on the abstruse lyrical sort.  That distaste seems fair.  I pray that they can one day write compelling narratives that will help change the world.  But if these uncredentialed, MFA-less men wrote tricksy lyrics, flaunting rules like Lerner does?  Then they’d be right.  Nobody would read their shit.

In their shoes (lace-less orange crocs, hosed down and issued to some new sap straight from the off-putting feet of the recently released), I too might hate lyric poetry.

On Tao Lin’s ‘Trip,’ targeted advertising, and finding scraps of life in books.

On Tao Lin’s ‘Trip,’ targeted advertising, and finding scraps of life in books.

Featured image: artwork by Tao Lin on Flickr.

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I recently borrowed my local library’s copy of Tao Lin’s Trip.  I read ten pages before a business card fell out.  I didn’t find the other until about a hundred pages later.  The cards were really crammed in there – I often read at nap- and bedtime, lying on my back, with little feet kicking my books, belly, neck, etc.  I’m surprised the second card wasn’t ejected earlier.

In Trip, Lin writes about drugs and some of the people who frequently ingest them.  For instance, Lin spent several months reading the oeuvre of Terrance McKenna, a passionate advocate for the legalization of psychedelic drugs (which I support) who argued that his chemical-induced visions (language elves, fractal time) represent tangible features of our universe (which I think is asinine).  At other times, McKenna self-described as a “psychonaut,” which I think is a better term – compounds that perturb the workings of a mind do reveal truths about that mind.

That’s the essence of the scientific method, after all.  First, formulate a predictive model about how something works.  Then, perturb your system.  If your prediction holds up, try to think of a different test you could make to try to prove yourself wrong.  If your prediction is off, try to think of a new model.  Repeat ad infinitum (physicus usque ad mortem).

In an undergrad-designed psychology experiment, the perturbation might be to compel a study subject to think about death by mixing a lot of photographs of car wrecks into a slide show.  Does a person exposed to these images seem more inclined to spend time with close family members (based on the results of a 30-question survey) than equivalent study subjects who were instead shown photographs of puppies?

Maybe you’d learn something from that.  But, honestly, 0.5 mgs per kg of psilocybin is a more powerful perturbation.

(A man who has been attending my poetry class for the past few months also self-describes as a Buddhist psychonaut – his favorite psychedelic is LSD, but he also struggles with a nagging impulse to shoot heroin.  He’s a vegetarian and has been writing poetry for twenty years, ever since his first friend died of overdose.  The only way for him to avoid prison time is to enroll at a court-mandated Christian-faith-based rehabilitation clinic where everyone works daily at the Perdue Meats slaughterhouse.  He’s just waiting on a bed before they ship him out there.  Personally, I think that having a recovering addict decapitate hundreds of turkeys daily would be an unhealthy perturbation of the mind.)

As Lin researched pharmacology, he realized that he’d made the same error in thinking about his body that our society has made in thinking about our environment, especially the oceans.  He’d assumed that his body was so large, and each drug molecule so small, that he’d be relatively unchanged as the pills he swallowed were metabolized away.  But he was wrong.  He’d turned his own body into a degraded environment that felt terrible to live inside.

He realized that corporations shouldn’t have free license to destroy the world that we all share.  And he realized that he needed to practice better stewardship of his body, his own personal environs.  He changed his diet and his lifestyle and no longer felt like garbage all the time.

good dayLin also provides some useful information about this country’s War on Drugs.  If someone was looking for an accessible way to learn more about this, I can see myself recommending either Trip (for the dudes in jail) or Ayelet Waldman’s A Really Good Day (for the harried parents working alongside me in the YMCA snack room).

And those business cards?  They made convenient bookmarks.  Verdant green, the front advertised a local hydroponics supply store, the back listed the store manager’s name and telephone number.

This seemed like a great advertising strategy.  Much more precise (and less evil) than Facebook’s targeted ads.

I won’t be buying any hydroponics supplies, but I’ll probably put those business cards back before I return the book.

Most of what I’ve found in books has been less directly relevant to the subject matter.  I felt dismayed to find a business card for a local artist / writer / model / actor – the front showed her in pinup-style undergarments with the cord for a video game controller entwining one stockinged leg – inside a library copy of Against Our Will by Susan Brownmiller.

When I flipped through one of Deepak Chopra’s new-age self-help books (that I pulled off the secondhand inventory shelf at Pages to Prisoners to mail to someone who’d requested stuff about UFOs, Wicca, and conspiracies), I found a Valentine’s Day note (written by a small child in crayon) and a polaroid of a tired-looking bare-breasted woman staring  at the camera from atop a camper’s bed.  MWPP totally would’ve gotten dinged if I’d mailed the book with that picture still inside.

And I’ve written previously about the time I found an acceptance letter from Best of Photojournalism inside a previous year’s edition of the book as I selected books to mail to a prisoner interested in photography.

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But I didn’t mention that I visited the university library to find the accepted photograph (of a stretch of highway closed for the emergency landing of a small plane in distress) …

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… or that I then put together a package of books to send to that photographer, because it turned out that he was also in prison after murdering his son-in-law.

The impression I got from news reports was that this man had a daughter whom he’d raised alone.  When his daughter was 13 years old, she fell in love with an abusive, oft-unemployed 19-year-old.  She soon became pregnant.  As it happens, this boyfriend took too many drugs.  I’ve met many men in jail who are totally charming while sober but (“allegedly!”) wail on women when they’re not.  Some are quite frequently not sober.

During this man’s trial, several witnesses testified to the violent physical abuse his daughter was subject to.  His daughter’s boyfriend “would grab ____, jerk her by the face, force her to go places, cuss her out if she didn’t do the right thing … “

Not that this is a reason to shoot somebody.

Still, I wondered how a book from the man’s personal library had wound up in the inventory of the Pages to Prisoners bookstore.  The murder occurred in August of 2012.  Mid-autumn, 2015, his book was on our shelves.

I like to imagine that his daughter made the donation.  That perhaps, by then, she’d forgiven her father.  That she’d realized how miserable U.S. incarceration can be and wanted to do a little something to make it better.

I certainly hope that his book helped people at the prison where I sent it.

 

On Tara Westover’s “Educated.”

On Tara Westover’s “Educated.”

A man in my poetry class recently told me, “Ugh, cocaine is awful.  You use some, you’ll want some more, but I hate it.  It makes me such a jerk.  I mean, I’m not like this, I’m never like this, but if I’m on coke, I’m like, bitch, you best make yourself useful around here.”

Cocaine has a reputation as a fun party drug, but nobody in jail has anything nice to say about it.  And it’s not that they’re down on drugs in general – that same man told me:

“Meth?  Meth is great – you should never try it.”

And then he explained the social niceties of trying to shoot up in the home of a friend who was recently diagnosed with HIV.  This friend was apparently cavalierly sloppy with needles:

“Like, blood was spurting, and I was scooting back thinking, like, god, I wish I was anywhere but here … “

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Glasseelskils_0European eels are endangered.  They swim huge distances to complete their life cycles – hatching at sea, undertaking a voracious (oft cannibalistic) quest up rivers, then returning to their birthplaces to spawn – and have been thwarted by hydroelectric dams blocking their migration, and the tendency of an insatiable terrestrial ape to catch and consume huge numbers of their kind.

Now these eels face another obstacle: they must complete their voyages while blitzed on cocaine.  European governments dump drugs into the sea to “destroy” them, but that’s not how water works.  The drugs are still there.  The eels get high.

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576px-Robert_Louis_Stevenson_by_Henry_Walter_Barnett_bwAccording to popular legend, Robert Louis Stevenson was very sick before he wrote his Strange Case of Dr. Jekyll and Mr. Hyde.

Stevenson had tried many cures; all had failed.  Then his spouse bought cocaine.  This worked.  Suddenly Stevenson could write again.  In three days, he composed his novel.

When he read the first draft to his spouse, she said it didn’t seem sufficiently allegorical.  So Stevenson flung the pages into the fire and began again.  In three more days, he’d composed the version of the story that we know today.

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Dr. Jekyll was a fine man.  On drugs, he became a monster.

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IMG_5233When our first child was just shy of two years old, she liked to wear a green long-sleeve with a picture of The Incredible Hulk rampaging.  She’d pull it from her drawer; I’d say, “Oh, you want to wear your Hulk Smash shirt today?”

One day, I asked her, “N., why does Hulk want to smash?”

She looked down at the picture, then back up to me.  First she signed the word hungry.

“Oh, Hulk wants something to eat?”

She shook her head.  No, that didn’t sound quite right.  She looked down again, then made another sign, banging her hands together for the word shoes.

“Hulk is upset because he has no shoes?”

She bobbed her head yes.  No shoes.  That would make her rage, too.

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Once, some runners on the local high school cross country team asked me who would win in a fight, Superman or the Hulk.  They’d reached a detente after one claimed that the Hulk was unstoppable when enraged (“… and nothing calms him down except his girlfriend.”), and the other argued that Superman could turn back time until the moment before Hulk had gotten angry, then smash him.

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Superman vs. Hulk by JD Hancock on Flickr.

I demurred.  I don’t think Superman is a very interesting hero, and the Hulk is interesting only in campaigns, not battles.  I like the idea of a hero who might go berserk and accidentally thwart his own plans, but a single bout of wrestling isn’t like that.  I think it’s more compelling to consider his constant risk of hurting the people that he loves.

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fullsizeoutput_12In Educated, Tara Westover writes beautifully about the horrors of living with the Hulk.  Her early years were controlled by a father in the throes of extreme paranoia and delusions of grandeur:

Fourteen years after the incident with the Weavers, I would sit in a university classroom and listen to a professor of psychology describe something called bipolar disorder.  Until that moment I had never heard of mental illness.  I knew people could go crazy – they’d wear dead cats on their heads or fall in love with a turnip – but the notion that a person could be functional, lucid, persuasive, and something could still be wrong, had never occurred to me.

The professor recited facts in a dull, earthy voice: the average age of onset is twenty-five; there may be no symptoms before then. 

The irony was that if Dad was bipolar – or had any of a dozen disorders that might explain his behavior – the same paranoia that was a symptom of the illness would prevent its ever being diagnosed and treated.  No one would ever know. 

Because her father was at war with the federal government, Westover never went to school.  Her birth went undocumented – she didn’t have a certificate that would’ve allowed her to enroll until years later, and even then wound up with a hodgepodge of documents that listed slightly differing names and birthdates. 

And her father needed money, because he was frantically stockpiling food and ammunition.  He needed solar panels (back when they were much more expensive than today) because the power grid was going to cut out after Y2K.

As one of God’s soldiers, he needed to build an ark.  Or tank.  Arsenal.  Whatever.

This constant hustle for money led Westover’s father to subject his children to incredible dangers.  There might be a safe way to do a job, but if the risky way could save two minutes, the man put his kids’ lives on the line.  Westover was forced to ride up to a trailer inside a bin filled with two thousand pounds of scrap iron.  When her leg got caught and she couldn’t jump out, her father still dumped the bucket.  Westover tumbled nearly twenty feet to the ground.  And this was lucky.  If she’d fallen a few inches to the other side, she would’ve been crushed by all that iron. 

Her brothers were injured even more grievously at her father’s hands.

For instance, a brother’s clothes caught fire while he was working with his father.  In Westover’s recollection, the father then lifted his burnt son into the cab of a truck and made him drive home alone.  Only the ten-year-old Westover was there to help him, so she put her brother’s burnt leg inside a garbage can full of ice water.

She thought:

If Dad had been with Luke on the mountain, he would have brought him to the house, would have treated the burn.  Dad was away on a job somewhere, that’s why Luke had had to get himself down the mountain.  Why his leg had been treated by a ten-year-old.  Why it had ended up in a garbage can.

Except that she then realizes that her father must have been with her brother.  He must have been there in order to put out the fire; otherwise the whole mountainside would’ve burned. 

In a footnote, Westover adds: 

Since the writing of this story, I have spoken to Luke about the incident.  His account differs from both mine and Richard’s.  In Luke’s memory, Dad took Luke to the house, administered a homeopathic for shock, then put him in a tub of cold water, where he left him to go fight the fire.  This goes against my memory, and against Richard’s.  Still, perhaps our memories are in error.  Perhaps I found Luke in a tub, alone, rather than on the grass.  What everyone agrees upon, strangely, is that somehow Luke ended up on the front lawn, his leg in a garbage can.

Westover’s father was abusive, and he routinely convinced his children that their memories were in error, instead substituting his own (oft-illogical) versions of events, but he isn’t the Hulk in this story.  Yup, things get worse.  One of Westover’s brothers might suddenly snap and become Hyde.

Westover loved her older brother Shawn, but during an over-hasty job with their father, Shawn fell twelve feet, striking a concrete wall headfirst, and sustained a severe brain injury.  Instead of taking the kid to the hospital, their father propped him against a pickup truck and left him to sit in the hot sun.

His pupils were unevenly dilated.  His brain was bleeding.

Fifteen minutes later, Shawn wandered back to the worksite and started acting wild.  He screamed, flung his father, ran around leaping and howling.  The others tackled him – at which point his head again struck the concrete, hard – and called 911 for a helicopter to airlift him to the hospital.

It took some time for me to realize that although Shawn looked the same, he wasn’t.  He seemed lucid, but if you listened carefully his stories didn’t make sense.  They weren’t really stories at all, just one tangent after another. 

Worse, he was violent.  But unpredictably so.  At one moment, he and Westover might be laughing together.  At another moment, he’d twist her arm behind her back so brutally that she worried her wrist would break, call her a slut, and cram her face into a toilet bowl.  He hacked at the throat of his son’s pet dog with a five-inch knife blade while the animal howled, dying.  He called his sister and placidly explained his plans to visit her university and murder her.

In a lucid moment, he helped Westover install a massive deadbolt in her bedroom door, despite knowing that he was the only person she needed protection from.

# 

Tara_Westover_1+2-smallerAnd yet, Westover escaped.  Although she’d never set foot inside a classroom, she was accepted to Brigham Young University, where the consensus view of reality was much closer to her own.

Of course, she made a few stumbles.  Because she didn’t understand what course numbers signified, she enrolled as a freshman in an upper-level art history class.  Worse, she raised her hand to ask after the meaning of a word she didn’t recognize: Holocaust.

During one of my own classes, we were discussing poems from Charles Reznikoff’s Testimony when I mentioned that Reznikoff had also written about the Holocaust.

“Holocaust, what’s that?” a man asked. 

Unlike Westover, this man had grown up in an urban area.  But he’d stopped attending school when he was pretty young, and there’s a lot of cultural knowledge that we tend to take for granted.

I’d like to think that I handled the situation better than Westover’s professor.  Westover was shamed.  In our poetry class, we instead talked about how the word “holocaust” could be seen as offensive when used to describe the years during which members of the Nazi party murdered at least 6 million people, typically because their victims believed in Judaism.  The word “holocaust” originally meant a burnt offering for God, so Jewish leaders instead referred to this period of history with the Hebrew word for “catastrophe.”  Although even that phrasing seems off, because “catastrophe” generally evokes natural disaster, whereas the Holocaust was mass murder and torture on a scale comparable only to American slavery.  A purely human evil.

#

Westover became a historian.  After experiencing firsthand the nightmare of having her own account of reality constantly replaced by someone else’s version, she understood how powerful storytelling can be.  Educated is a beautiful book.  And, to my mind, a much more sensible depiction of unequal opportunity in the United States than J.D. Vance’s Hillbilly Elegy.

Westover recognizes how lucky she was to escape, and how narrowly she avoided the fate of her sister-in-law.  And Westover gives a powerful endorsement of government aid:

I began to experience the most powerful advantage of money: the ability to think of things besides money.  My professors came into focus, suddenly and sharply; it was as if before the grant I’d been looking at them through a blurred lens.  My textbooks began to make sense, and I found myself doing more than the required reading.

On courage, parenting, and Sergio de la Pava’s ‘Lost Empress.’

On courage, parenting, and Sergio de la Pava’s ‘Lost Empress.’

Sometimes the challenges that life throws our way will be over quickly.  Succeed or fail, we know that a finite quantity of bravery is expected of us.

lostempressIn Sergio de la Pava’s Lost Empress, a football owner addresses her players before the last game of their season.

“I once had someone reduce the film of a game to just those seconds when the ball is actually alive and in play. You know what the result was? Eleven minutes.

A three-and-a-half-hour football game reduces to eleven minutes that actually decide who wins or loses. Are you going to sit there, knowing all the work we’ve put into this season, the bloodshed, the bones snapped, and tell me that you can’t bind yourself to your brothers and collectively outperform another group of men for just eleven minutes?”

Eleven minutes during which they’ll either win or lose – except that by now everybody knows that modern football destroys players’ brains. The consequences will linger long afterward. The team’s quarterback acknowledges as much before the game:

“I don’t care if I’m drooling in a corner in ten years as long as that [championship] ring’s on my finger as I do it.  It’s all I think about.” 

Like Socrates lifting poison to his lips, the quarterback knows that he is choosing to end his life: This is not about his body; it’s more fundamental, his mind. Medically, he should not participate in even more more play of football.  But he has the courage to face it.  It’s only eleven minutes, after all.  Or three-and-a-half hours.  Still, only a single game’s worth of pain and suffering to attain glory. 

In the fourth quarter’s waning moments, Harris, the quarterback, makes one final play:

Taking the ball in just his right hand he brings it back and throws it as hard as he can, screaming in agony as he does since it feels as if his arm’s just been detached from its socket.

The millisecond the ball is released a Cowboy defender launches himself forward helmet-first into Harris’s face mask.  The face mask gives way on impact and the defender’s helmet goes right through into Harris’s face to shatter his nose, bounce his brain off his skull, and resect substantial parts of his lips.

The referee jogs towards the goal line to make the call that will immediately decide the winner as there is no instant replay.  After a seeming eternity he raises both hands and signals touchdown and a Pork victory of 23 – 22.

Harris is unconscious on the ground, it’s not that he will never remember this, it’s more that he never experienced it in the first place.

Interwoven with the quarterback’s story of willful self-destruction is another version of courage.  An impoverished parent whose life seems to be in shambles resolves that she will pour herself into raising her kid right, no matter what it takes.

she’d pinpointed this one thing, a sure path to meaning.  There’s a spiral that has to stop.  A person formed by shit parents becomes a shit person and by extension another shit parent who forms a shit person until you just end up with shit everywhere.  A life spent accomplishing only one thing can maybe be justified if that one thing is significant enough.

She could therefore literally decide that the sole purpose of her breathing was terminating that spiral currently pulling [her son] Donnie towards its diminishing circles.

 

She could do that, in essence forfeit her life.  But it would take a strange kind of courage. This wouldn’t be a stint in the can, it would be a life sentence.

To succeed, she’ll need to be brave for more than three-and-a-half hours.  Good parenting is exhausting.  In the first few years, my spouse and I felt that each night at bedtime we were struggling to toss our bedraggled bodies over the finish line – and then we’d have to wake up and do it again.

OLYMPUS DIGITAL CAMERA
Oh my.

Eleven minutes for glory?  A committed parent is looking at approximately twenty years, no cheering fans, and no assurance, ever, that you’re even doing it right.  A parent needs to be brave in the sense that David Foster Wallace described in The Pale King.

The_Pale_King‘By which,’ he said, ‘I mean true heroism, not heroism as you might know it from films or the tales of childhood.  You are now nearly at childhood’s end; you are ready for the truth’s weight, to bear it. 

The truth is that the heroism of your childhood entertainments was not true valor.  It was theater.  The grand gesture, the moment of choice, the mortal danger, the external foe, the climactic battle whose outcome resolves all–all designed to appear heroic, to excite and gratify an audience.  An audience.’ 

He made a gesture I can’t describe: ‘Gentlemen, welcome to the world of reality–there is no audience.  No one to applaud, to admire.  No one to see you.  Do you understand?  Here is the truth–actual heroism receives no ovation, entertains no one.  No one queues up to see it.  No one is interested.’ 

He paused again and smiled in a way that was not one bit self-mocking.  ‘True heroism is you, alone, in a designated work space.  True heroism is minutes, hours, weeks, year upon year of the quiet, precise, judicious exercise of probity and care–with no one there to see or cheer.  This is the world.  Just you and the job, at your desk.’

Wallace fully expected to have an audience for his words, but even then, bravery was needed during the lonely years spent composing – indeed, the tragedy here is that Wallace’s courage abandoned him just as he wrote this passage.

A parent, too, has a very limited audience.  Usually the only people watching are the children being parented, and, given the way our brains work, children will inevitably forget most of the moments that you share.  But you’re creating the emotional pallet that will color the rest of their lives.

Lots of parenting feels like drudgery, and it takes concentration to do right, and it matters.

image (4)According to Dorothy Dinnerstein in The Mermaid and the Minotaur, a human parent thus seems, of all [animals], the one least fitted to live in a world narrower than the one she sees around her.  And yet, for reasons inherent in [our] evolutionary history, she has been the one most fated to do so.  Her young are born less mature than those of related mammals; they require more physical care for a relatively longer time; they have much more to learn before they can function without adult supervision. 

Or there’s Michael Chabon, in Pops, describing the burdens he knowingly undertook when he and his spouse decided to raise children.

image“Put it this way, Michael,” the great man said, and then he sketched out the brutal logic: Writing was a practice.  The more you wrote, the better a writer you became, and the more books you produced.  Excellence plus productivity, that was the formula for sustained success, and time was the coefficient of both.  Children, the great man said, were notorious thieves of time. 

And yet.  Even if this unnamed great writer were correct – which seems highly dubious, since most writers need to live in order to escape self-absorption – Chabon probably made the right choice.  If our species is going to persist, we’ll need another generation.  If our species is going to thrive, we’ll need children who were raised well.  We’ll need people to bravely accept all that parenting entails. 

I’d like to think that my own courage hasn’t failed my children yet.  Luckily, it’s reinvigorated when they smile.

On automation, William Gaddis, and addiction.

On automation, William Gaddis, and addiction.

I’ve never bought meth or heroin, but apparently it’s easier now than ever.  Prices dropped over the last decade, drugs became easier to find, and more people, from broader swaths of society, began using.  Or so I’ve been told by several long-term users.

This is capitalism working the way it’s supposed to.  People want something, others make money by providing it.

And the reason why demand for drugs has increased over the past decade can also be attributed to capitalism working the way it’s supposed to.  It takes a combination of capital (stuff) and labor (people) to provide any service, but the ratio of these isn’t fixed.  If you want to sell cans of soda, you could hire a human to stand behind a counter and hand sodas to customers, or you could install a vending machine.

Vending_machines_at_hospitalThe vending machine requires labor, too.  Somebody has to fill it when it’s empty.  Someone has to fix it when it breaks.  But the total time that humans spend working per soda is lower.  In theory, the humans working with the vending machine are paid higher wages.  After all, it’s more difficult to repair a machine than to hand somebody a soda.

As our world’s stuff became more productive, fewer people were needed.  Among ancient hunter gatherers, the effort of one person was needed to feed one person.  Everyone had to find food.  Among early farmers, the effort of one person could feed barely more than one person.  To attain a life of leisure, a ruler would have to tax many, many peasants.

By the twentieth century, the effort of one person could feed four.  Now, the effort of one person can feed well over a hundred.

With tractors, reapers, refrigerators, etc., one human can accomplish more.  Which is good – it can provide a higher standard of living for all.  But it also means that not everyone’s effort is needed.

At the extreme, not anyone’s effort is needed.

1024px-Sophia_(robot)_2There’s no type of human work that a robot with sufficiently advanced AI couldn’t do.  Our brains and bodies are the product of haphazard evolution.  We could design something better, like a humanoid creature whose eyes registered more the electromagnetic spectrum and had no blind spots (due to an octopus-like optic nerve).

If one person patented all the necessary technologies to build an army of robots that could feed the world, then we’d have a future where the effort of one could feed many billions.  Robots can write newspaper articles, they can do legal work, they’ll be able to perform surgery and medical diagnosis.  Theoretically, they could design robots.

Among those billions of unnecessary humans, many would likely develop addictions to stupefying drugs.  It’s easier lapse into despair when you’re idle or feel no a sense of purpose.

glasshouseIn Glass House, Brian Alexander writes about a Midwestern town that fell into ruin.  It was once a relatively prosperous place; cheap energy led to a major glass company that provided many jobs.  But then came “a thirty-five-year program of exploitation and value destruction in the service of ‘returns.’ “  Wall street executives purchased the glass company and ran it into the ground to boost short-term gains, which let them re-sell the leached husk at a profit.

Instead of working at the glass company, many young people moved away.  Those who stayed often slid into drug use.

In Alexander’s words:

Even Judge David Trimmer, an adherent of a strict interpretation of the personal-responsibility gospel, had to acknowledge that having no job, or a lousy job, was not going to give a thirty-five-year-old man much purpose in life.  So many times, people wandered through his courtroom like nomads.  “I always tell them, ‘You’re like a leaf blowing from a tree.  Which direction do you go?  It depends on where the wind is going.’  That’s how most of them live their lives.  I ask them, ‘What’s your purpose in life?’  And they say, ‘I don’t know.’  ‘You don’t even love yourself, do you?’  ‘No.’ “

Trimmer and the doctor still believed in a world with an intact social contract.  But the social contract was shattered long ago.  They wanted Lancaster to uphold its end of a bargain that had been made obsolete by over three decades of greed.

Monomoy Capital Partners, Carl Icahn, Cerberus Capital Management, Newell, Wexford, Barington, Clinton [all Wall Street corporations that bought Lancaster’s glass company, sold off equipment or delayed repairs to funnel money toward management salaries, then passed it along to the next set of speculative owners] – none of them bore any personal responsibility. 

A & M and $1,200-per-hour lawyers didn’t bear any personal responsibility.  They didn’t get a lecture or a jail sentence: They got rich.  The politicians – from both parties – who enabled their behavior and that of the payday- and car-title-loan vultures, and the voters of Lancaster who refused to invest in the future of their town as previous generations had done (even as they cheered Ohio State football coach Urban Meyer, who took $6.1 million per year in public money), didn’t bear any personal responsibility.

With the fracturing of the social contract, trust and social cohesion fractured, too.  Even Brad Hutchinson, a man who had millions of reasons to believe in The System [he grew up poor, started a business, became rich], had no faith in politicians or big business. 

I think that most politicians, if not all politicians, are crooked as they day is long,” Hutchinson said.  “They don’t have on their minds what’s best for the people.”  Business leaders had no ethics, either.  “There’s disconnect everywhere.  On every level of society.  Everybody’s out for number one.  Take care of yourself.  Zero respect for anybody else.”

So it wasn’t just the poor or the working class who felt disaffected, and it wasn’t just about money or income inequality.  The whole culture had changed.

America had fetishized cash until it became synonymous with virtue.

Instead of treating people as stakeholders – employees and neighbors worthy of moral concern – the distant owners considered them to be simply sources of revenue.  Many once-successful businesses were restructured this way.  Soon, schools will be too.  In “The Michigan Experiment,” Mark Binelli writes that:

In theory, at least, public-school districts have superintendents tasked with evaluating teachers and facilities.  Carver [a charter school in Highland Park, a sovereign municipality in the center of Detroit], on the other hand, is accountable to more ambiguous entities – like, for example, Oak Ridge Financial, the Minnesota-based financial-services firm that sent a team of former educators to visit the school.  They had come not in service of the children but on behalf of shareholders expecting a thorough vetting of a long-term investment.

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This is all legal, of course.  This is capitalism working as intended.  Those who have wealth, no matter what historical violence might have produced it, have power of those without.

This is explained succinctly by a child in William Gaddis’s novel J R:

I mean why should somebody go steal and break the law to get all they can when there’s always some law where you can be legal and get it all anyway!”

220px-JRnovel.JPGFor many years, Gaddis pondered the ways that automation was destroying our world.  In J R (which is written in a style similar to the recent film Birdman, the focus moving fluidly from character to character without breaks), a middle schooler becomes a Wall Street tycoon.  Because the limited moral compass of a middle schooler is a virtue in this world, he’s wildly successful, with his misspelling of the name Alaska (“Alsaka project”) discussed in full seriousness by adults.

Meanwhile, a failed writer obsesses over player pianos.  This narrative is continued in Agape Agape, with a terminal cancer patient rooting through his notes on player pianos, certain that these pianos explain the devastation of the world.

You can play better by roll than many who play by hand.”

220px-AgapeAgape.jpgThe characters in J R and Agape Agape think it’s clear that someone playing by roll isn’t playing the piano.  And yet, ironically, the player piano shows a way for increasing automation to not destroy the world.

A good robot works efficiently.  But a player piano is intentionally inefficient.  Even though it could produce music on its own, it requires someone to sit in front of it and work the foot pumps.  The design creates a need for human labor.

There’s still room for pessimism here – Gaddis is right to feel aggrieved that the player piano devalues skilled human labor – but a world with someone working the foot pumps seems less bad than one where idle people watch the skies for Jeff Bezos’s delivery drones.

By now, a lot of work can be done cheaply by machines.  But if we want to keep our world livable, it’s worth paying more for things made by human hands.

On Matthew Walker’s ‘Why We Sleep.’

On Matthew Walker’s ‘Why We Sleep.’

poemsjaildormWilliam Booker’s poem “Communion of the Saints” opens with,

It’s 6 a.m. in the Monroe County Jail,

I’ve been awake since breakfast,

which was served at 4:21 a.m. …

It took 3 minutes 25 seconds

to eat a tray of eggs, sausage, hash brown,

biscuit and jelly.  Then I lay back down

on my steel bunk and closed my eyes.

His eyes are closed, the thin jail blanket covers his head, but with bright fluorescent lights shining just a few feet from his face, he can’t fall back asleep.  He begins to ruminate: “what have I done?”  His mind is tormented by “visions of the outside that I don’t see anymore.”  This will be another hard day.

2088296214_th.jpgIn Why We Sleep, Matthew Walker describes numerous research studies showing the ways that we’re impaired when our sleep is disrupted.  The vast majority of people need at least 7.5 hours of sleep each night.  When sleep deprived – either by missing an entire night’s sleep in one go, or sleeping six or fewer hours a night for several days in a row – people have difficulty regulating their emotions, miss social cues, and struggle to learn new information.

Prolonged sleep deprivation is widely recognized as torture.  All animals will die if sleep deprived for too long, typically done in by sepsis: otherwise innocuous bacteria proliferate uncontrollably and poison the blood.  Less acute forms of sleep loss – consistently getting fewer than 7.5 hours per night – will ravage a person’s immune system and increase the risk of cancer.

When interrogators deprive people of sleep (yup, the United States is a member of the illustrious group of nations that still tortures people this way, alongside regimes in Iran, Iraq, Libya, Saudia Arabia, and the like) it becomes very easy to elicit false confessions.

In the former Israeli prime minister Menachem Begin’s memoir, White Nights: The Story of a Prisoner in Russia (which is quoted in Why We Sleep), he writes that when the KGB denied him and his fellow prisoners the opportunity to sleep,

DF-SC-85-11459I came across prisoners who signed what they were ordered to sign, only to get what their interrogator promised them.  He did not promise them their liberty.  He promised them – if they signed – uninterrupted sleep.

Inside the jail, the overhead fluorescent lights are not turned off until midnight.  At that time, it becomes easier – not easy, but easier – to fall asleep.  But the inmates will be jarred awake four hours later for breakfast.

Despite their chronic sleep deprivation, people in jail are expected to learn new habits; people who have self-medicated for the entirety of their adult lives with opiates or amphetamines are expected to find all new ways of living.  Sometimes their behaviors really were undesirable – robbery, domestic violence, neglecting children while blinkered on drugs.

But people struggle to learn new skills – sober living among them, although this was not directly assessed in the studies Walker cites – if their brains don’t undergo a large number of electroencephalogram-visible waves called “sleep spindles” during the final hours of sleep.  If a person sleeps for six or fewer hours each night, the brain never reaches this stage of sleep.

Wake someone up too early day after day, you stifle learning.

Veave_in_jailWrest them into fluorescent wakefulness each morning for a four a.m. breakfast, keep them basically sedentary because a dozen people are packed into a small cement room and the facility is too understaffed to give them “rec time,” constantly elevate their stress hormones by surrounding them with angry, potentially dangerous compatriots, and you ensure that they won’t sleep well.  In addition, chemical withdrawal wrecks havoc on people’s sleep cycles.  They stagger bleary-eyed through months or years inside.  They chug “cocoffala” – commissary instant coffee stirred into Coca-cola – hoping to feel some semblance of normalcy.  Instead, they get the jitters.

And then, finally, they’re set free – usually to probation, expected to follow more rules than the average citizen.

“I’m gonna be out next week,” a dude told me.

“Congratulations!  You’ll get family Christmas after all.”

“Eh, it’s not so great.  I’ll be back before New Years.”

“Yeah?”

“They say I gotta do probation two yearsI slip, they’re sending me to prison.”

“Can you do it?”

“Two years?  I’m not gonna make it two weeks.  Way I see it, I get out, I gotta call up Judge Diekhoff, tell her it’s been real and all, but we gotta start seeing other people.”

He would’ve struggled to change his life in the best of circumstances.  But he certainly couldn’t do it sleep deprived.