On bowerbirds, process, and happiness.

On bowerbirds, process, and happiness.

We recently read Donika Kelly’s “Bower” in jail. 

I love this poem.  There’s a undercurrent of darkness as the bird constructs his pleasure dome. “Here, the iron smell of blood.”  But he is undeterred.  “And there, the bowerbird.  Watch as he manicures his lawn.”

This bowerbird has themed his edifice around sparkling bits of blue.  Bower birds incorporate all manner of found objects: berries, beetles (which must be repeatedly returned to their places as they attempt to crawl away), plastic scraps.  A bowerbird has a clear vision, a dream of which colors will go where, and scours the forest to find the treasures he needs.

Will high-contrast white in front of the brown bower bedazzle guests? Our artist can only hope. Image by davidfntau on Flickr.

Female bowerbirds raise children alone, so she doesn’t need a helpful partner..  Instead, she’ll choose someone who can show her a good time.  And her pleasure will be enhanced by a beautiful dome, a splendid arch beneath which several seconds of intercourse can transpire.

A mother-to-be typically visit several bowers before choosing her favorite.  During each inspection, the male will hop and flutter during her evaluation … and then slump, dejected, if she flies away.

Kelly closes her poem with the experience of a crestfallen artist: “And then, / how the female finds him, / lacking.  All that blue for nothing.

I especially love the wry irony of that final sentence.  We create art hoping to be fawned over; it’d feel nice to know that readers enjoyed a poem so much that they responded with a flush of desire for the author. 

But this is rare.  No piece of writing will appeal to all readers; an author is lucky if it appeals to any.  The same holds true for painting, music, and bowers.  A bowerbird hopes that his magnificent edifice will soon be the site of his acrobatic, if brief, bouts of copulation.  But his life will miserable if he can’t also take pleasure in the sheer act of creation. 

Female tropical birds are free to select whichever male they want.  Their flirtations are unlikely to be turned down.  And because each intimate encounter is vanishingly brief, a single male might service every female in an area.  The other males, having assembled less glorious bowers, will die without ever experiencing erotic delights.

And so a bowerbird needs to enjoy his own arch.  To endure, to thole, even if no one wants to fool around with him.  Even if no one looks.  He needs to feel pleasure as he assembles those beautiful hues.  Every visiting female might quickly fly away, but all that blue will have served a purpose.

I love the poem “Bower,” but I also hope that Kelly enjoyed writing her poem enough that my opinion doesn’t matter.

After reading “Bower,” our class got sidetracked into a wide-ranging conversation about birds.  At first, we did talk about bowerbirds.  Most of the guys had no idea that birds like that existed – that an animal might make art – but one guy had seen a television show about them years ago, and the program made such a deep impression on him that he still remembered much of it.  “They really do,” he said.  “I’ve seen it.  And they showed the people nearby, somebody who was eating breakfast cereal with like a plastic spoon, and this bird flew right over and took it.  Later they found bits of it all broken up, in this weird ring around the bird’s nest.”

And then this man started talking about crows.

He gesticulated profusely as he talked, which was rather distracting.  One of his hands had about 1.3 fingers; his ring finger was missing entirely, and the others, including his thumb, ended after the first knuckle.  I wouldn’t have felt so puzzled – stuff happens, after all – except that one of his stories involved chasing somebody with a steak knife, and this was the hand he brandished.

Many of the people in jail have suffered severe physical injuries.  When we were discussing personality manipulation and mind control, someone told me that he’d been hit by a truck and that everything in his life had felt flat and emotionless ever since.  He showed me the thick scar at the top of his head: “When it happened, I guess I was out for almost a week, and it took another month before I really remembered my name.  Even then, for that first year I felt like I was back in eighth grade again.”  He was twenty-something when it happened.

Another time, I asked a man if he wanted to read the next poem and he said he couldn’t, that he was disabled, then thumped his leg onto the table.  He had a rounded stump where most people’s foot would be.  I didn’t quite see the connection between his injury and the poem, and it’s not as though we ever force people to read.  We have a lot of guys with dyslexia, and I go in with the goal of making their Fridays a little more pleasant; no reason for somebody to suffer unnecessarily.

“I was working in a saw mill,” he said.  “Planer caught me and, zzooomp.  Didn’t even feel anything, at first.”

He got a legal settlement – a few guys muttered that they’d trade a foot for that kind of money – but his pain script led to more opiates and eventually the money was gone and he was in jail and the only help he was getting was from a PD.

But, right, back to the man gesticulating wildly as he talked about birds.  “Real smart animals,” he said.  “Especially crows.”

I nodded.  Crows can use tools – they’ll craft hooks out of wire, cut twigs into the length they need for various tasks.  Their brains are structured differently from primates’, which lets them cram just as many neurons into a much smaller volume

Photo by Natalie Uomini on Flickr.

The guy went on: “See, I was living in a tent, and cops kept coming by, harassing me.  Cause there’d always be all this trash on the ground.  They’d say, ‘look, we know that you’re sleeping here, but you can’t just leave all this shit everywhere.’  And they’d make me clean it up.  I’d do it, but then a day or two later, there’d be trash scattered everywhere again.  I thought it must be some homeless guys or something that was doing it.”

“But it turned out these crows – they knew I was drinking, that I’d never be up before about noon – and they were raiding the dumpster out behind McDonalds.  I only found out because I actually woke up one morning to piss.  And I looked up and these crows in the tree above me, they carried tied-off garbage bags way up into that tree and were tearing them apart, looking for things to eat.  And that’s how all that trash was getting everywhere.  I’d thought it was homeless guys, and it was crows!”

Male bowerbirds can afford to be such terrible parents because they live in tropical forests where there’s an abundance of food to eat.  Crows, though, need ingenuity to survive.  Sometimes they pick apart the leavings of hairless apes below.

Because crows raise their young in much harsher environs than bowerbirds, males contribute more than just DNA.  While a mother roosts, the father will gather food.  And so he’ll try to impress a potential mate, beforehand, with his gathering prowess.  He won’t build, paint, or compose poetry, but he’ll scour the land below for tasty treats and shiny things, then leave these gifts at his beloved’s feet.

As with bowerbirds, some crows are helpful without reaping the benefits of a dalliance.  When a female crow begins to build a nest, five other crows might bring sticks and twigs.  These five won’t all be rewarded with the chance to sire her young.

With luck, the crows enjoy the sheer act of helping. 

Neither birds nor humans will be lauded for everything we do.  If we measure success based solely upon the rewards we reap, many of our lives will feel bleak.  In a world full of pyramids – bowerbird mating, corporate finance, the attention economy of social media – not everyone can be at the top.

No matter the outcome, we can all feel fulfilled if we focus on the process of what we’re doing. 

Admittedly, it’s hard to find the zen in a lot of the shitty jobs out there in the world.  But I did enjoy typing this essay.  And I will try to enjoy the irritating parts of parenting today.  Someday, my children will learn to ask for cereal politely.

On national borders and the disappearance of our universe’s only known habitable planet.

On national borders and the disappearance of our universe’s only known habitable planet.

When our eldest child was two years old, a friend of ours built a caterpillar home from some window screens we found in the dumpster.  Our neighbor gave us milkweed, and we raised some monarchs.

In recent decades, increased use of pesticides and the decreased abundance of milkweed along monarch migratory routes have caused butterfly populations to plummet.  And so many suburban homeowners began to cultivate milkweek in their yards.  Exceptionally dedicated butterfly conservationists began to raise caterpillars inside, keeping them safe from predation, and checking to make sure that the butterflies were free of parasitic protozoans before release.

The hope is that, with enough concerned citizens pitching in to help, monarch populations might rebound.  Within the span of a single lifetime, insect populations around the world have fallen precipitously, in many regions by 90% or more, a travesty described eloquently in Michael McCarthy’s The Moth Snowstorm:

It had been the most powerful of all the manifestations of abundance, this blizzard of insects in the headlights of cars, this curious side effect of technology, this revelatory view of the natural world which was only made possible with the invention of the motor vehicle.  It was extraordinary; yet even more extraordinary was the fact that it had ceased to exist.  Its disappearance spoke unchallengeably of a completely unregarded but catastrophic crash in Britain of the invertebrate life which is at the basis of so much else. 

South Korea may have destroyed Saemangeum, and China may have destroyed its dolphin, but my own country has wrecked a destruction which is just as egregious; in my lifetime, in a process that began in the year I was born, in this great and merciless thinning, it has obliterated half its living things, even though the national consciousness does not register it yet. 

That has been my fate as a baby boomer: not just to belong to the most privileged generation which ever walked the earth, but, as we can at last see now, to have my life parallel the destruction of the wondrous abundance of nature that still persisted in my childhood, the abundance which sang like nothing else of the force and energy of life and could be witnessed in so many ways, but most strikingly of all in the astonishing summer night display in the headlight beams, which is no more.

Our kid loved watching the butterflies hatch.  Metamorphosis is an incredible process, especially for a little human undergoing her own transition out of a helpless pupal stage.  Ensuring that our yard is a safe stopover for the monarchs’ journey helps the species survive.

But the monarchs overwinter at a select few sites, such as the mountains of Michoacan.  This state has been ravaged by the drug war.  A huge percentage of the population is mired in poverty, which abets illegal foresting, including cutting down many of the evergreens that the visiting monarchs roost on.  Worse, a large mining company hopes to begin extraction in the butterflies’ overwintering site.  If this project is approved, the monarchs will die, no matter how much milkweed Midwestern homeowners plant in their backyards. 

The people of Michoacan should not be expected to cheerfully endure poverty so that others can look at butterflies.  A major argument in favor of a global wealth tax used to fund a guaranteed basic income is that it would alleviate some of the incentive to destroy our shared environment for private gains.

We all inhabit a single planet – as far as we’ve determined, the only habitable world in the known universe.  And, although our world is very large, we’ve learned recently that individual decisions can have a hugely destructive impact on us all.

In The Uninhabitable Earth, David Wallace-Wells spends two hundred pages describing what life might be like for our children if we allow our planet to warm by two degrees. 

The emergent portrait of suffering is, I hope, horrifying.  It is also, entirely, elective.  If we allow global warming to proceed, and to punish us with all the ferocity we have fed it, it will be because we have chosen that punishment – collectively walking down a path of suicide.  If we avert it, it will be because we have chosen to walk a different path, and endure.

After all, we know what’s happening.  We know why it’s happening.  And we know what we, as individuals, can do to help.  Even comic books published by DC Comics in the 1980s were offering kids advice on what to do:

The solution to our problems is obvious – but I am writing as a wealthy, well-loved, well-educated individual.  I own a home where milkweed can be planted.  My days are happy enough that I don’t feel the need to buy as much stuff as other people.

The world has treated me pretty well.

But why should somebody who has been treated like garbage feel compelled to pitch in? 

In Brazil, under-served people voted Jair Bolsonaro into the presidency.  Bolsonaro hopes to extract value from the country now, which means destroying the Amazon rain forest.  Which means – because this expanse of forest acts akin to a set of lungs for our whole planet – destroying the world.

An interesting comeuppance – as a citizen of the United States, usually it’s the autocratic decrees of my own president that send the world teetering toward destruction.  Indeed, even though 45 has less influence over our planet’s climate than Bolsonaro, he too has been promoting environmental devastation for the sake of extractive industries.

The economics of extraction are interesting.  Because the things we pull from the Earth are all limited resources, their value will presumably rise over time.  People who have money now, like citizens of the U.S., should choose to wait.  Even if we wanted to burn every last bit of the world’s oil and release all that carbon into the atmosphere, we in the U.S. would be better off waiting to pull up our own oil, buying it cheaply from other people now, and then selling ours at a massive profit later on once it’s more scarce.

Instead, oil companies have been operating under an addiction model.  They continue to increase production even when prices are low, as though fearful that an unsteady supply would lead people to kick the habit.  Their future revenue stream would dry up.

Renewable energy has been getting cheaper, so maybe they’re right.  In the meantime, global consumption has been rising every year, even though we know it’s killing us.  Both because our own homes will become less habitable, and because the world will descend into chaotic violence.  From Molly Crabapple’s “Where Else Can They Go,”

the world has come no closer to ensuring the rights of a human without a country.  Mostly, governments propose quarantine.  Internment camps grow in Tornillo, Texas, in Lesbos, in Zaatari, and in Cox’s Bazar in Bangladesh.  It won’t work.  Each year, the world grows warmer.  The oceans rise.  Wars are fought for ever-scarcer resources.  If the wealthy West worries about one million Syrians, what will it do with millions of climate refugees?

Wealthy nations pillaged the world in the past.  Huge amounts of capital were accrued in the meantime, because human productivity was supercharged by the stored fuel of hundreds of thousands of years of extra energy, all that sunlight captured by ancient plants and compressed into oil.

And now, if other nations repeat that process, the world will be destroyed.

The solutions aren’t so hard to come by.  A global wealth tax.  Guaranteed basic income.  These would ameliorate a lot of the world’s problems.  But they require the people who are in power now to willingly accept less.  And the little voice whispering in our ears has quite a bit of practice chanting more.

More.  More.  MORE.

Header image by Marco Verch on Flickr.

On octopus art.

On octopus art.

When we were in college, my roommate and I spent a train ride debating the merits of Andy Warhol’s art (she was a fan, I was not).  In the end, we not only failed to change each other’s opinions, but realized that we didn’t even agree what art was.  She double majored in Biomedical Engineering and Art Theory & Practice, and her view was much more expansive than my own.

In retrospect, I can admit that she was right.  My view of art was narrow-minded.  If I had to proffer a definition of “art” today, I might go with something like:

Art is an intentionally-created module that is designed to reshape the audience’s neural architecture.

By this standard, the big images of soup qualify.  So do the happenings.

Andy Warhol’s “Campbell’s Soup Cans,” 1962. Image by Wally Gobetz on Flickr.

I recently read a book that analyzed board games using the tools of art criticism and narratology.  Obviously, I now think that board games can be art.  They’re carefully designed; their creators often seem to have a goal for how each game should make players feel; the combined effects of text, visual components, and even rules can all work toward conveying those feelings.

One drawback to my newfound open-mindedness, though, is that I could probably be convinced that almost any designed object qualifies as art.

For a piece of art to “fail” to change your neural architecture, it would have to be mnemonically invisible – immediately after seeing it, you could look at it again and it would be as though it were the first time.  You’d never be able to recall its content or meaning.

Actually, I have read some esoteric, convoluted poetry like that.  Words that skimmed over my mind as though each synapse were coated with teflon. 

I wasn’t keen on the experience.  Minutes had passed, but, because I couldn’t remember anything that I’d read, I’d accomplished nothing.  I don’t need to actually understand a poem, I just want for it to make me feel somehow different after I’ve read it.  Like Will Alexander’s “The Optic Wraith,” which triggers a mysterious sense of unease even though its meaning squirms away from me:

The Optic Wraith

Her eyes

like a swarm of dense volcano spiders

woven from cold inferno spools

contradictory

consuming

clinging to my palette

like the code from a bleak inventive ruse

now

my understanding of her scent

is condoned as general waking insomnia

as void

as a cataleptic prairie

frayed at the core

by brushstrokes of vertigo

then mazes

As Alexander’s words lure me along, I lose my grasp.  But although I might not recall any specific lines, if you asked me at the end of its six pages, “So, what did you feel?”, I’d certain know that something inside my brain was different from who I’d been five minutes before.

When I was in college, I felt strongly that art needed to be beautiful.  I was wrong.  But I still believe that art works better when it’s aesthetically pleasing, because this allows it to more readily infiltrate someone’s mind.  If two paintings are both intended to convey the same ideas, but one is more pleasurable to look at, then we can assume that it will be looked at more, and thereby convey the idea more.  A charming form helps the piece achieve its function of spreading the creator’s intended message.

And, in terms of judging the quality of art, I obviously still think that the quality of message is important.

For instance, a chair.  Every chair you’ve ever sat in was designed by somebody.  If you wanted to argue that the chair is a piece of art, I suppose I’d agree with you.  And maybe it’s a very good chair: comfortable to sit in, perfectly balanced, pleasing to see when the rising sun illuminates it in the morning.  But that doesn’t mean it’s good art.

Joseph Kosuth’s “One and Three Chairs,” 1965. Photo by Kenneth Lu on Flickr.

Indeed, a chair that is bad at being a chair is more likely to be a good artwork.  A chair that’s too small or too large, conveying the discomfort of trying to make your way in a world that is primarily concerned with the comfort of bodies unlike your own.  Or a gigantic bronze throne that affords you the chance to perch in Baphomet’s lap; it would be an unpleasant place to sit, but perhaps you’d reflect more on Lucifer’s ethic of “speaking truth to power, even at great personal cost.

When we humans make art, we try to engage the emotions of our audience.  Emotionally-charged situations are more memorable; while feeling awe, or anger, or joy, human minds are most likely to change.

And human art is almost always made for a human audience.  Our brains evolved both from and for gossip; our prodigious intellect began as a tool to track convoluted social relationships.  We’re driven to seek narrative explanations, both because a coherent story makes gossip easier to understand, and because our consciousness spins stories to rationalize our actions after we perform them.

If we considered the world’s most intelligent animal species – like humans, dolphins, crows, elephants, chimpanzees – most have evolved to gossip.  Large brains gave our ancestors a selective advantage because they were able to track and manipulate their societies complex social relationships in a way that bolstered survival and breeding opportunities.  Indeed, the average elephant probably has more emotional intelligence than the average human, judging from neuron counts in the relevant areas of each species’ brains.

Elephants at a sanctuary. Image by Gilda on Flickr.

And so, if an elephant were given the freedom to paint (without a trainer tugging on her ears!), I imagine that she’d create art with the intention that another elephant would be the audience.  When a chimpanzee starts drumming, any aesthetic message is probably intended for other chimpanzees.

But what about octopus art?

Octopuses and humans haven’t had any ancestors in common for half a billion years.  Octopuses are extremely intelligent, but their intelligence arose through a very different pathway from most other animals.  Unlike the world’s brilliant birds and mammals, octopuses do not gossip.

Octopuses tend to be antisocial unless it’s mating season (or they’ve been dosed with ecstasy / MDMA).  Most of the time, they just use their prodigious intellect to solve puzzles, like how best to escape cages, or find food, or keep from being killed.

Octopus hiding in two shells. Image by Nick Hobgood on Wikipedia.

Humans have something termed “theory of mind”: we think a lot about what others are thinking.  Many types of animals do this.  For instance, if a crow knows that another crow watched it hide food, it will then come back and move the food to a new hiding spot as soon as the second crow isn’t looking.

When we make art, we’re indirectly demonstrating a theory of mind – if we want an audience to appreciate the things we make, we have to anticipate what they’ll think.

Octopuses also seem to have a “theory of mind,” but they’re not deeply invested in the thoughts of other octopuses.  They care more about the thoughts of animals that might eat them.  And they know how to be deceptive; that’s why an octopus might collect coconut shells and use one to cover itself as it slinks across the ocean floor.

A coconut octopus. Image by Christian Gloor on Wikimedia.

Human art is for humans, and bird art for birds, but octopus art is probably intended for a non-octopus audience.  Which might require even more intelligence to create; it’s easy for me to write something that a reader like me would enjoy.  Whereas an octopus artist would be empathizing with creatures radically different from itself.

If octopuses weren’t stuck with such short lifespans, living in the nightmarishly dangerous ocean depths, I bet their outward focus would lead them to become better people than we are.  The more we struggle to empathize with others different from ourselves, the better our world will be.

On perspective.

On perspective.

In fantasy novels, trees walk upon their roots and battle with their limbs.  That makes sense to me.  If I think about two trees interacting, I consider the branches; the taller tree shades the other, limiting its competitor’s growth.

But my perspective is upside down.  Trees are standing on the sky, reaching for one another through the earth.  They listen underground.  They communicate down there, passing messages to one another, or even meals.

Picture from “The Wood Wide Web” on New Zealand Geographic.

Perhaps their branches grope for sunlight in the unconscious way that my kids’s feet seek warmth like homing missiles while they sleep.  I try to roll over only to find somebody’s toes wedged under my back.

Year by year, trees inch their feet toward the sun.  And their engaging social lives are hidden from me, buried underground.  My reflexive perspective gives me an inverted image of a tree’s world.

I’m surely not alone in this misunderstanding. 

We humans hold our heads high as we walk across the ground.  A major source of tension in human evolution was arranging our skeletons in such a way that we could walk upright without too many women dying in childbirth – our posture constrains the shape of the pelvis.

Although some species do exhibit dramatically different body morphs between males and females, it’s more common for evolutionary changes in one sex to diffusely alter the other.  Club-winged manakins have bones that are more dense than other birds, which makes them worse at flyingAll club-winged manakins fly poorly, male and female, even though only the males use their dense bones to produce mate-luring music.  Or consider the orgasms and nipples of Homo sapiens, which fulfill important biological purposes in one sex, and serve as a vestigial source of fun for the other.

In prehistoric times, men and women probably hunted together.  The evidence is especially compelling for human populations like the Neanderthal in southern Europe, who lived in such small groups that they would be unable to kill large prey without help from everyone in the group.  But even if prehistoric men had hunted alone, their upright stance and endurance running would have introduced an evolutionary pressure constricting the width of a human pelvis.

Our ancestors first descended from the trees to scavenge meat from lions’ kills.  Eventually, they began to hunt.  Their strategy was to exhaust and bewilder their prey, hoping to use the local geography to assist in each kill.  Mammoths were more likely to fall to their deaths than be slain by hurled spears; mounds of butchered bones accumulated at the base of particularly useful cliffs.

The high caloric density of cooked meat allowed our brains to expand … but the embrace of hunting also caused more women to die in childbirth.

And, less tragically, our upright posture distorts our understanding of the trees that once harbored our communities.  After all, we live in our heads.  It seemed sensible to us that the most interesting life of a tree would transpire in its loftiest branches.

Our biology doesn’t force us to view the world a certain way, but it dictates which perspectives are easiest to take.

Because our brains are story-generating organs, human cultures invariably see time as flowing uniformly in a single direction.  But for subatomic particles, time appears to be symmetrical; the Feynman diagram of an interaction would appear perfectly plausible progressing either forward or backward.

Only our universe’s progression toward greater entropy, i.e. randomness, seems to introduce a directionality for time’s arrow.  But there’s no a priori reason to expect a world to progress toward higher entropy.  This directionality seems to exist only because our particular universe happened to be in an unstable, low entropy state shortly after the Big Bang.

Image from ESA/Hubble.

Or so say most physicists.  From my perspective, I’m content assuming that the past is fixed but the future is mutable.  If I didn’t believe in that asymmetry – whether it’s real or not – I’d probably lapse into despair.

But, again, even if we accept that time is flowing, our perspective alters how we feel about that change.

Is the flow of time progress or decline?

Are a tree’s branches its hands or its feet?

In Indian mythology, time is cyclical, but within each cycle it flows toward corruption.  Time passes and the world grows worse.  Currently we are trapped within a Kali Age, the worst possible world, knowing that all the great heroes have passed.  We are just biding our time before the world can be destroyed and made good again.

After the sunder, time will once again cause that new world’s gleam to fade.  Nothing can stave off the encroach of rot.

In Judaism, the ancient sages lived longer than we do, and knew more, too.  At one point in time, a pair of humans were good: before long, we disobeyed the whims of God and were exiled from paradise.

In The Book of Shem, David Kishik writes that

To be original means to linger by the origin and insist on it.  The task is to avoid the progression toward a future or an end, and to stop the narrative before it develops any further.  In this sense, and in this sense only, the origin is a worthwhile goal.  Hence in Hebrew forward (kadima) is related to what is ancient (kadum), just as backward (achora) is linked to what is last (acharon).

Many humans want to reclaim the imagined glories of the past.

To make America great again, perhaps.

I personally think that many recent technological developments in our world are bad.  We’ve designed distracting, addicting telephones, and we’re putting them into the hands of children.  Our brains evolved to be extremely plastic, which let our species adapt to a wide variety of circumstances … but this neural plasticity allows exposure to fabulous, drug-like devices to dramatically alter our brains, probably for the worse.

And we’ve designed distracting, addicting advertising platforms – these siphon huge amounts of money away from productive industries, and the perverse economic incentives we’ve constructed allow these companies, alongside equally-unhelpful investment banks, to lure many of the most clever college graduates to their ranks.

But I’m certainly no Luddite, pining for a purer past.  The world was a terrible place for so many people.  Although I appreciate the thesis that Yuval Noah Harari presents in Sapiens – that the invention of agriculture made people’s lives worse than when all humans were hunters and gatherers – I see those grim millennia as akin to the hump in a chemical reaction, a transition that must be traversed in order to reach the desired products.

For generations, most people scraped out a miserable existence by subsistence farming.  Their lives were worse than their ancestors’.  But we, now, can feed so many people so easily that we could make our world into a paradise.

We’re not doing it, but we could.

At least we’re making baby steps toward a society in which people aren’t punished for their genetic background, or gender, or religious beliefs.  I mean, even in the United States we still treat women shabbily; across the country, racist police departments beleaguer Black citizens; atheists and Muslims are eyed with distrust.

But it used to be worse.

And, sure, even if we were the best of stewards, our planet would eventually be doomed.  Even if we don’t exhaust the resources here on Earth, the sun will run out of energy and bloat to engulf our world in a ball of fire.  Maybe that’s fine.  Death is a part of my life; perhaps I should look upon extinction as a natural part of humanity’s journey through time.

But it’s so cool to image people someday spreading amongst the stars.  I dream about the future.  And hope against hope – despite overpopulation, climate change, and all – that my children will find a better world than the one I’ve been living in.

Image by D Mitriy.

From my perspective, time will let us make the world better. 

Although it surely won’t happen on its own.  We will have to work to make it better.  The work might not be that hard.  Just live the way you would if the world were already the place it ought to be.

On two degrees and the worst year (yet) to be alive.

On two degrees and the worst year (yet) to be alive.

The United States is pumping more carbon dioxide into the atmosphere than we were last year.

The amount of heat-trapping gas in our atmosphere is already too high – ideally, our net emissions should be negative.  Which is entirely feasible.  When we cultivate forests, trees pull carbon from the air.  But each tree can do only so much.  We also need to reduce the amount of energy we consume.

We don’t need to be less happy, though.  As the economy improved, people began flying more … but many flights aren’t producing happiness.  Most people look harried and sullen in airports.  If we all switched to taking trains, the cultural expectations for the rhythm of our lives would shift – instead of short bursts of misery, our travels could be pleasant spells of intermediate time. 

And the giant server farms needed to run websites like Facebook gobble energy.  Facebook, just like any other advertising company, profits by making people less happy.  Many people would be happier in a world where these servers used less energy.

We have a compelling reason to change our behaviors.  If we don’t, the global climate will rise by two degrees Celsius or more.  (Of course, any individual location could become much warmer or colder – a nearby warm ocean current keeps Europe’s climate mild, but if melting polar ice redirects this current, countries like England could become quite frigid.)

How different might life be if global temperatures changed by two degrees?

In the year 536, global temperatures were about two degrees lower than they are today.  (Which does prove, obviously, that the global climate can change for reasons that are not humanity’s fault.  But the current changes are caused by us.)

Historian and archaeologist Michael McCormick believes that this two degree change in temperature made our planet an utterly miserable place to live. A volcanic eruption had darkened the sky, preventing incoming sunlight from warming Earth.  “It was the beginning of one of the worst periods to be alive, if not the worst year,” says McCormick. Snow fell in summertime; crops failed; people starved.

And now we, in all our wisdom, are about to tug the needle just as far (if not farther!) in the other direction.

The Dark Ages were literally dark.  Ashen clouds lurked overhead.  Beset by such nightmarish conditions, people feared that God had forsaken them.  Europeans abandoned science and literacy partly as penance, hoping to appease the source of wrath that was killing them and their children.

Plants have evolved on Earth for many millions of years.  Many plant species will find a way to endure even if we change our planet’s climate.  But human food crops are quite young, in evolutionary terms, and exist in precarious swaths of monoculture. A two degree increase in global temperatures will cause these plants to die.  Famine will ensue.  Global violence and warfare will increase as hungry people fight to survive. 

A two degree change in temperature is totally sufficient to usher in a new worst year to be alive.

Sadly, nobody will be eating any Doritos made from these drought-scorched corn plants.

If we change the global climate by two degrees, there’s also no assurance that our planet won’t keep warming.  Weather is dictated by complex feedback loops that we don’t yet understand.  Our oceans soak up heat, which is changing their chemistry; warmer water takes up more space, flooding the coasts, and will melt the polar ice caps from underneath, which further accelerates warming because ice reflects sunlight, but bare ground or water absorbs it.

Venus may have been habitable, once. But climate change spiraled out of control after the atmosphere filled with too much heat-trapping carbon dioxide.  The oceans evaporated.  Now, searing sulfuric acid falls as rain from the sky.

If we tip over the precipice, every living creature on earth will be doomed.  No one understands enough about the feedback loops that dictate a planet’s climate to know how close to the precipice we are.

Although, really, a two degree change would be awful enough.

Which is worth reiterating … especially because the cohort of humans that has contributed most to climate change, and currently holds the wealth and political power needed to prevent catastrophe, is of an age that perhaps they want the world to be a little warmer.  Wealthy Americans in their fifties to seventies have long migrated south in pursuit of warmer climate.

The current generation of 50- to 70-year-olds was given the most of the Earth’s plenitude.  The world of their youth was very different from the world in which my children were born. While that generation was alive, insect populations plummeted by 90% or more.  The fecundity of other wildlife diminished in turn.  Forests were clearcut, and the environment – including the very air we breathe – was devastated to produce the world’s current wealth.

Perhaps some of the people in power now do want a warmer planet.  But it is not theirs.  As phrased by Wendell Berry,

the world is not given by [our parents], but borrowed from [our] children.”

We should feel horrifically embarrassed to return this world in worse condition than when we were lent it.

Featured image: Night Landscape with Ruined Monastery by Lluís Rigalt (1814 – 1894).

On extraction.

On extraction.

The womb-suckers are trying to eat your children. Poke a soda straw into the future and sluuurp, away they go.  Hopes and dreams, metabolized today into so many dollar bills.

I spend a fair bit of time with drug dealers. Most are ethical people – they wanted to ingest drugs, and they knew some other people who wanted to ingest drugs, so they started selling.

But there’s an unethical way to push – some dealers focus on getting new users hooked.  That way they’ll have a steady income stream.  Most of the guys in my poetry class, if somebody talks about getting clean, congratulate and encourage the dude.  But some dealers would see rehab as a threat to their own livelihoods.

The future-eaters are like the second type of dealer.  They’re trying to kill babies – including babies who haven’t even been conceived yet – while proffering incredibly cynical rationalizations.


Yup, you’re right, kid.  Earth is beautiful. 
I’m sorry the grown-ups aren’t trying very hard to keep Earth beautiful.

Here’s the deal: regions of the Earth’s crust that lie beneath territories claimed by the United States contain rich deposits of hydrocarbons.  These could be dug up and combusted to power our factories, our automobiles, our giant arrays of computer servers that enable the internet.  The average person’s lifestyle in the U.S.gobbles energy, and deep below our lands is solar energy that photosynthesizing plants captured millions of years ago.

But we now know that there is only a limited amount of ancient stored sunlight beneath us.  The world’s oil reserves will eventually be depleted.  And so a smart investor, even if that investor believed that all the hydrocarbons beneath us should be combusted, bringing our planet closer to the hellhole that runaway climate change allowed Venus to become, would decide to wait.  Right now, the price of oil is low.  The total supply of oil is decreasing.  The population is rising.  If oil really is the best energy source, then the price will obviously rise. 


Venus was habitable once, but after atmospheric carbon dioxide levels got too high, climate change spiraled out of control.  I certainly wouldn’t want to live there now. Artist rendition from NASA.

I believe this relationship, lower supply = higher price, is taught within the first two lectures of any undergraduate economics course.

Since we’re rich enough to do it, we would make more money by buying oil now from those foolish countries who need cash right away and are currently selling their buried wealth, then extracting our own oil later when the total supply is lower and each barrel is worth more money.

The womb-suckers love money.  So why isn’t this their plan?

After all, we as a nation are wealthy enough to invest.  Throughout the ages, that’s what people blessed with current prosperity have done. By socking away money now – maybe by lending it to a neighbor and charging interest – you gain a constant source of income for the future.

The usual stereotype is that it’s foolish poor people who eat the future.  When you’re starving, you might eat seeds from the granary.  That’ll help you survive another winter, but next year the famine will hit even worse.  Methamphetamines let you trade away future health to do more today.  So do cigarettes.

The womb-suckers rarely pull drags of nicotine into their own bodies.  But they’ll happily light one for our planet.

The president of the U.S. wants to drill for oil beneath the Arctic National Wildlife Refuge.  The president of Brazil wants to cut down the Amazon rain forest for gold mines and hamburgers.

But there is a framework in which their urgency to eat the future is rational.  If people will notice what’s happening and stop them later, they need to get it done now. The window for personal gain is closing: slash and burn while you can.

And there is, of course, the comparison to an unethical drug dealer.  You have to keep selling even when the heat is closing in because otherwise your customers could get clean and then you can’t make money off your product anymore.

We’ve reached a point where many people have realized that the future is in peril –most people who get their news from any source other than the state-endorsed propaganda network – but, let’s face it, people are lazy.  I’m lazy too.  Even though I know that disposable diapers are wasteful to manufacture and then ship off to landfills, my family resorts to them during weeks when we’re too overwhelmed to wash another load of excrement-encrusted rags.

Similarly, everyone knows that a vegan diet is better for the planet. But most people still eat meat. The Republican party’s big-government subsidies make hamburgers cheap … and those burgers are already cooked, waiting at the drive through, chock full of delicious fat, salt, and MSG. Being vegan takes more effort.

But we’re well-meaning, most of us.  And lazy, well-meaning people just need a little nudge to start doing the right thing.

The womb-suckers are justifiably worried that a small hiccup in the rate of extraction now might be the final nudge necessary to get the world to change.  Switch to renewable energy.  Recycle and re-use more of what we’ve already dug from the ground.

The womb-suckers need to flood the market, get what money they can before the rest of us sober up.  It’s the best thing for a murderous hedonist to do; with enough money, they can soar the skies in gold-plated airplanes.  With enough money, even boorish, ugly men have a shot at having sex with pornographic film stars.

The future eaters see no contradiction, calling themselves “pro-life” while they frantically strive to make billions of unborn children die.

On ‘The Overstory.’

On ‘The Overstory.’

We delude ourselves into thinking that the pace of life has increased in recent years.  National news is made by the minute as politicians announce their plans via live-televised pronouncement or mass-audience short text message.  Office workers carry powerful computers into their bedrooms, continuing to work until moments before sleep.

But our frenzy doesn’t match the actual pace of the world.  There’s a universe of our own creation zipping by far faster than the reaction time of any organism that relies on voltage waves propagating along its ion channels.  Fortunes are made by shortening the length of fiberoptic cable between supercomputer clusters and the stock exchange, improving response times by fractions of a second.  “Practice makes perfect,” and one reason the new chess and Go algorithms are so much better than human players is that they’ve played lifetimes of games against themselves since their creation.

640px-IFA_2010_Internationale_Funkausstellung_Berlin_18We can frantically press buttons or swipe our fingers across touch screens, but humans will never keep up with the speed of the algorithms that recommend our entertainment, curate our news, eavesdrop on our conversations, guess at our sexual predilections, condemn us to prison

And then there’s the world.  The living things that have been inhabiting our planet for billions of years – the integrated ecosystems they create, the climates they shape.  The natural world continues to march at the same stately pace as ever.  Trees siphon carbon from the air as they grasp for the sun, then fall and rot and cause the Earth itself to grow.  A single tree might live for hundreds or thousands of years.  The forests in which they are enmeshed might develop a personality over millions.

Trees do not have a neural network.  But neither do neurons.  When simple components band together and communicate, the result can be striking.  And, as our own brains clearly show, conscious.  The bees clustering beneath a branch do not seem particularly clever by most of our metrics, but the hive as a whole responds intelligently to external pressures.  Although each individual has no idea what the others are doing, they function as a unit.

Your neurons probably don’t understand what they’re doing.  But they communicate to the others, and that wide network of communication is enough.

Root_of_a_TreeTrees talk.  Their roots intertwine – they send chemical communiques through symbiotic networks of fungal mycelia akin to telephones.

Trees talk slowly, by our standards.  But we’ve already proven to ourselves that intelligence could operate over many orders of temporal magnitude – silicon-based AI is much speedier than the chemical communiques sent from neuron to neuron within our own brains.  If a forest thought on a timescale of days, months, or years, would we humans even notice?  Our concerns were bound up in the minute by minute exigencies of hunting for food, finding mates, and trying not to be mauled by lions.  Now, they’re bound up in the exigencies of making money.  Selecting which TV show to stream.  Scoping the latest developments of a congressional race that will determine whether two more years pass without the slightest attempt made to avoid global famine.

In The Overstory, Richard Powers tries to frame this timescale conflict such that we Homo sapiens might finally understand.  Early on, he presents a summary of his own book; fractal-like, this single paragraph encapsulates the entire 500 pages (or rather, thousands of years) of heartbreak.

image (2)He still binges on old-school reading.  At night, he pores over mind-bending epics that reveal the true scandals of time and matter.  Sweeping tales of generational spaceship arks.  Domed cities like giant terrariums.  Histories that split and bifurcate into countless parallel quantum worlds.  There’s a story he’s waiting for, long before he comes across it.  When he finds it at last, it stays with him forever, although he’ll never be able to find it again, in any database.  Aliens land on Earth.  They’re little runts, as alien races go.  But they metabolize like there’s no tomorrow.  They zip around like swarms of gnats, too fast to see – so fast that Earth seconds seem to them like years.  To them, humans are nothing but sculptures of immobile meat.  The foreigners try to communicate, but there’s no reply.  Finding no signs of intelligent life, they tuck into the frozen statues and start curing them like so much jerky, for the long ride home.

Several times while reading The Overstory, I felt a flush of shame at the thought of how much I personally consume.  Which means, obviously, that Powers was doing his work well – I should feel ashamed.    We are alive, brilliantly beautifully alive, here on a magnificent, temperate planet.  But most of us spend too little time feeling awe and too much feeling want.  “What if there was more?” repeated so often that we’ve approached a clear precipice of forever having less.

In Fruitful Labor, Mike Madison (whose every word – including the rueful realization that young people today can’t reasonably expect to follow in his footsteps – seems to come from a place of earned wisdom and integrity, a distinct contrast from Thoreau’s Walden, in my opinion) asks us to:

image (3)Consider the case of a foolish youth who, at age 21, inherits a fortune that he spends so recklessly that, by the age of 30, the fortune is dissipated and he finds himself destitute.  This is more or less the situation of the human species.  We have inherited great wealth in several forms: historic solar energy, either recent sunlight stored as biomass, or ancient sunlight stored as fossil fuels; the great diversity of plants and animals, organized into robust ecosystems; ancient aquifers; and the earth’s soil, which is the basis for all terrestrial life.  We might mention a fifth form of inherited wealth – antibiotics, that magic against many diseases – which we are rendering ineffective through misuse.  Of these forms of wealth that we are spending so recklessly, fossil fuels are primary, because it is their energy that drives the destruction of the other assets.

What we have purchased with the expenditure of this inheritance is an increase in the human population of the planet far above what the carrying capacity would be without the use of fossil fuels.  This level of population cannot be sustained, and so must decline.  The decline could be gradual and relatively painless, as we see in Japan, where the death rate slightly exceeds the birth rate.  Or the decline could be sudden and catastrophic, with unimaginable grief and misery.

In this context, the value of increased energy efficiency is that it delays the inevitable reckoning; that is, it buys us time.  We could use this time wisely, to decrease our populations in the Japanese style, and to conserve our soil, water, and biological resources.  A slower pace of climate change could allow biological and ecological adaptations.  At the same time we could develop and enhance our uses of geothermal, nuclear, and solar energies, and change our habits to be less materialistic.  A darker option is to use the advantages of increased energy efficiency to increase the human population even further, ensuring increasing planetary poverty and an even more grievous demise.  History does not inspire optimism; nonetheless, the ethical imperative remains to farm as efficiently as one is able.

The tragic side of this situation is not so much the fate of the humans; we are a flawed species unable to make good use of the wisdom available to us, and we have earned our unhappy destiny by our foolishness.  It is the other species on the planet, whose destinies are tied to ours, that suffer a tragic outcome.

Any individual among us could protest that “It’s not my fault!”  The Koch brothers did not invent the internal combustion engine – for all their efforts to confine us to a track toward destitution and demise, they didn’t set us off in that direction.  And it’s not as though contemporary humans are unique in reshaping our environment into an inhospitable place, pushing ourselves toward extinction.

Heck, you could argue that trees brought this upon themselves.  Plants caused climate change long before there was a glimmer of a chance that animals like us might ever exist.  The atmosphere of the Earth was like a gas chamber, stifling hot and full of carbon dioxide.  But then plants grew and filled the air with oxygen.  Animals could evolve … leading one day to our own species, which now kills most types of plants to clear space for a select few monocultures.

As Homo sapiens spread across the globe, we rapidly caused the extinction of nearly all mega-fauna on every continent we reached.  On Easter Island, humans caused their own demise by killing every tree – in Collapse, Jared Diamond writes that our species’ inability to notice long-term, gradual change made the environmental devastation possible (indeed, the same phenomenon explains why people aren’t as upset as they should be about climate change today):

image (4)We unconsciously imagine a sudden change: one year, the island still covered with a forest of tall palm trees being used to produce wine, fruit, and timber to transport and erect statues; the next year, just a single tree left, which an islander proceeds to fell in an act of incredibly self-damaging stupidity. 

Much more likely, though, the changes in forest cover from year to year would have been almost undetectable: yes, this year we cut down a few trees over there, but saplings are starting to grow back again here on this abandoned garden site.  Only the oldest islanders, thinking back to their childhoods decades earlier, could have recognized a difference. 

Their children could no more have comprehended their parents’ tales of a tall forest than my 17-year-old sons today can comprehend my wife’s and my tales of what Los Angeles used to be like 40 years ago.  Gradually, Easter Island’s trees became fewer, smaller, and less important.  At the time that the last fruit-bearing adult palm tree was cut, the species had long ago ceased to be of any economic significance.  That left only smaller and smaller palm saplings to clear each year, along with other bushes and treelets. 

No one would have noticed the falling of the last little palm sapling.

512px-Richard_Powers_(author)Throughout The Overstory, Powers summarizes research demonstrating all the ways that a forest is different from – more than – a collection of trees.  It’s like comparing a functioning brain with neuronal cells grown in a petri dish.  But we have cut down nearly all our world’s forests.  We can console ourselves that we still allow some trees to grow – timber crops to ensure that we’ll still have lumber for all those homes we’re building – but we’re close to losing forests without ever knowing quite what they are.

Powers is furious, and wants for you to change your life.

You’re a psychologist,” Mimi says to the recruit.  “How do we convince people that we’re right?”

The newest Cascadian [a group of environmentalists-cum-ecoterrorists / freedom fighters] takes the bait.  “The best arguments in the world won’t change a person’s mind.  The only thing that can do that is a good story.”